Writing fiction is a delightful hobby and a grueling profession. There is really no other way to explain it. I’ve run into many people who think that fiction writers must have the easiest job in the world because we get “to sit around all day and make stuff up.” Thank you, guys and gals, for that awesome assessment. It’s a sweet notion, it really is, but playing in the sandbox of my own imagination is only a small part of what I actually do on a daily basis.
The real truth is that while I deal in a form of written entertainment based on invented worlds and made-up characters, the business side of my profession is anything but make-believe. On the economic side, I need to know how consumer demand affects my book supply and the revenue stream that comes from the resulting sales. On the accounting side, I have to understand my company’s profit margins, gross income, net income, required taxes, and a slew of other things. On the organizational side of things, I have budget my time between making new product (writing story rough drafts), refining that product (rewriting my stories), quality control (copy editing and proof reading), producing the product (publishing books in e-book formats like .mobi or .epub and publishing print books in hardback or paperback versions), distributing my books online (through Amazon, Apple, Barnes & Noble, Kobo, or even my own website), distributing in person (through conventions and writing events), and marketing my stories (in person at events and online through different websites and social media).
In the beginning of my career when writing was little more than a glorified hobby, I didn’t worry about most of this stuff. I just wrote and rewrote my work. I figured that economics, production, design, and book marketing were things that my publisher would always handle. Then I went indie. Now all of a sudden, my business model has expanded to include every stage of book production and all of the extra responsibilities that go with it. I love the challenge, but the amount of work has left me breathless more than once.
I am my own company. If something doesn’t get accomplished at my office, it’s usually because I didn’t do it. I do everything from the actual writing and rewriting of a book to its cover art design, its final formatting, publishing, and distribution. What I don’t do myself (for quality control and time-constraint reasons), I still oversee. I’m charge of finding the beta readers, copy editor, proof reader, and publicists for each book I publish.
As hard as I work, I simply can’t do it all. To make sure that each and every story I produce is the best that it can be, I need thorough, honest, dependable collaborators at every stage of the process. Good beta readers are just as essential to a book’s development as a professional editor. A savvy publicist is just as important to a book’s visibility as a wide-ranging distributor. And good writing is the beating heart of it all. This means that if I can’t deliver my very best, no one else can give their best either.
Are all of the time and work and money I put forth, worth it? I think so. The time I spend playing in the sandbox of my imagination has a high cost of admission no matter whether I’m an independent author, a traditionally published author, or a hybrid. That being said, I took on all of this publishing responsibility to make sure my time playing in the sandbox is as valuable to readers as it is to this writer.
Until next time, may we each rewrite our world for the better!
The Seared Cookie Report: one Artist/Writer’s Labored Soliloquy (SCRAWLS) is brought to you from the writing desk of Alycia Christine at Purple Thorn Press and Photography with love, art, speculative fiction books, and virtual baked goods for all. Please let me know your thoughts about this particular post and, as always, if there is any subject you wish me to discuss, contact me. Thanks!