For this article of Flashes of Perspective, I thought I would discuss with all of you the photography rule of Photo Saturation. Photo Saturation is a very important aspect of photography, especially if you are going to shoot photography professionally. It was the first rule that I learned to use in the classroom and it is always the first tool that I employ in the field.
Let’s Get Started
The rule of Photo Saturation is a simple one. Basically it is the idea of photographing a specific subject several times in order to get the best possible representation of that subject. Many artists and craftsmen will create rough sketches of their work before they actually execute the final product. A writer, for example, might create an outline of a story before he or she actually writes it. Then the writer will take the rough draft and refine it correcting grammar issues, punctuation problems, consistency errors, and other mistakes until at last she has a final draft. In photography these rough sketches or rough drafts come from repeated attempts to shoot the perfect photograph (i.e. photo saturation).
Let’s Break It Down
My personal approach to Photo Saturation is to have a rough idea in my head of what I want the final image look like before I start shooting a subject. Sometimes I have a clearer image in mind that others, but always I strive to shoot a subject from as many different angles and vantage points as possible so that I can create the best quality image. These multiple images are my rough drafts. I always have to stay flexible while I am photographing because sometimes the rough idea that I have in my head is not always as good as the best photo that I actually shoot in the field. The give and take between planned photos and the spontaneous bonus images that I get on-site is the main reasons why I photography so much. No matter how much I plan a shot beforehand there are always surprises once I step behind the lens. Photo saturation helps me make the most of the surprises and the planned shots.
Most of the time I shoot a ratio of 10 to 15 photographs for every one final image that I show others. When I started shooting photography at the age of 10, I was lucky if I had one good photograph out of every role of 36 that I shot. Years of practice, better equipment, and continuous tutelage has led me to have a far better photo ratio than when I began. My eventual goal is to have a photo ratio of closer to 1 in 5, but for now I am very pleased with what I have accomplished.
When my husband and I vacationed in Alaska this last month, I purposely overshot everything I saw. My use of Photo Saturation meant that I came home after a 10 day trip with over 2700 photos. Of those 2700 photos, I will upload maybe 200 total shots to my website. I will be the first to tell you that shooting that many photos for so few publishable results is a bit extreme, especially for me, but doing going to the extreme of Photo Saturation has allowed me to bring back and showcase the very best images possible from the trip. While so many photos from the trip were very good and my photo ratio averaged about 1 in 8, I only want to upload the photos that I think are of award-winning quality. After all, I think my art collectors deserve the best quality products possible.
Last week I presented 14 photos from my Alaska trip. This week I wanted to reveal 14 more photos to further share my adventures with you. I have also included the number of photos I took before finally getting that final awesome image to give you an idea of my personal use of Photo Saturation.
Static or Slow Subjects
I took 5 rough photos before I shot this final image of “Boardwalk Parasols”.
I took 4 rough photos before I shot this final image of “Flower Pack”.
I took 7 rough photos before I shot this final image of “Ice Streams”.
I took 23 rough photos before I shot this final image of “Mountain Ice”.
I took 4 rough photos before I shot this final image of “Sawed Rust”.
I took 3 rough photos before I shot this final image of “Wall Walker”.
I took 4 rough photos before I shot this final image of “Wooden Waterway”.
I took 36 rough photos before I shot this final image of “Cumulus Pontoon”.
I took 18 rough photos before I shot this final image of “Egg Tentacles”.
I took 21 rough photos before I shot this final image of “Pale Mountain Moon”.
I took 30 rough photos before I shot this final image of “Steller Beach”.
I took 13 rough photos before I shot this final image of “Triple Starbursts”.
I took 17 rough photos before I shot this final image of “Urban Salmon”.
I took 11 rough photos before I shot this final image of “Victoria Legislative Lights”. By the way, this photo is under moving subjects because I was riding in a bus at the time I shot the photos.
It is important to remember that different subjects often require different amounts of Photo Saturation. In some cases, the photographer may have a lot of time to shoot a subject from different angles and vantage points. In other cases, you may only be able to snap a single photo. This last situation is especially true when dealing with moving subjects such as animals or small children. Do your best in each circumstance and stay adaptable. If you have the time use your Photo Saturation techniques to practice some of the other Rules of Photography. If not, just use your instincts to shoot the best possible photo of the subject that you can.
This assignment will be an odd one. I want you to shoot 30 images or more photos of only 2 different subjects. I suggest using static subjects for this round of homework. Statues or monuments work well for this project, but you can find other things too like architecture. Make sure that you look for unique subjects with lots of interesting angles because you will be shooting each subject a lot! Work until you get the very best portrait of that subject. Have fun!
Until we meet again, I wish all of you brilliant flashes of perspective!
[ O*] Alycia